Tinning Street, Brunswick, May 2015
Alien Artefacts continues an investigation into the poetic relationships between materiality and the self, and the implications of the material encounter.
Employing liminal studio processes that are temporal, conjectural and provisional, and using a materiality that is mutable and sometimes unstable, the artist engages in an intimate archaeology to unearth the vestige of a personal, interior terrain.
The emergent objects represent markers in a fragmented landscape, an environment that is in a state of becoming.
L-R:
A sort of flaw to overcome 2015 Plaster, silicone, wool
Becoming articulate 2015 Concrete, soap, wax
Trying to find a form 2015 Plaster, soap, nickel wire
The object becomes a prompt 2015 PVC tube, soap, copper
A hazardous experience 2015 Concrete, soap, felt, wire, copper, wool
L-R:
That not-knowing state 2015 Silicone, plaster, silver, wool fleece
Telling the truth 2015 Plaster
A kind of promise 2015 Concrete, silk fibre
Something is catalysed 2015 Plaster, soap, nickel wire
L-R:
An idea is unreliable 2015 Soap, plaster, brass, plasticine
Finding a subject 2015 Plaster, soap, copper
A prop for understanding 2015 PVC tube, soap, copper
That struggle 2015 PVC tube, soap, brass, tape
Words just seem to be vanishing 2015 Silicone, plaster, wool fleece
L-R:
A certain kind of knowledge 2015 PVC tube, soap, concrete
To become absolutely itself 2015 Plaster, soap, copper rubber
Something that doesn't yet have an image 2015 Soap, wool felt
It needs that desire 2015 Concrete, soap, copper, silk fibre
L-R:
A hazardous experience 2015 Concrete, felt, wire, soap, copper, wool fleece
That object is impossible without those connotations 2015 Concrete, soap, copper