Vittoria Di Stefano’s sculptural practice employs a methodology of generative material experimentation to explore themes around liminality, transformation and desire, with a particular emphasis on domestic space and intimate materiality.
Through the employment of a diverse material palette, and often using art, design or film as points of departure, the artist employs a feminist critique to investigate and challenge historical power structures and notions of value.
The psychological and affective impacts of the material encounter are explored through a range of experiments in a variety of display contexts, offering new ways of contemplating and experiencing material realities.
She has taken part in solo and group exhibitions nationally and lectures in Art History & Theory and Sculpture Studio at RMIT University, Melbourne.